THE STUDIO . EDITED BY GEOFFREY HOLME • NO. 461 Contents for August 1931
The Artist’s Contribution to the Nation’s Industry Page 71 Glass of To-tl ay, by Arnold Fleming 72
The Kaleidoscope of Taste, by Tancred Borenius 98 Negro Art, by Michael Sevier 116 Sir Charles Holmes, by Frank Rutter 122 Mela Muta, by Muriel Ciolkowska 133 Edward Ardizzone, by D. W. Last 136 Events in the Art World 138 Reviews of Books 141
Supplements in Colour
The Lemon Trees, by Adrian P. Allinson Frontispiece Modern coloured British glass-ware 81 Port of Ostia, Rome, by Claude Lorrain 103 The Artist’s Favourite Mill, by Claude Lorrain 113 Lock Gates, Blackburn, by Sir Charles Holmes 123 Watendlath Tarn, near Keswick, by Sir Charles Holmes 131
(Contents of all issues of Atelier, and of The Studio from April, 1931, may be located through the ART INDEX)
Contents for September
MODERN PHOTOGRAPHY forms an important item in the September Number. Eighteen superb subjects, each by a master of the Art of the Camera,
exemplify well the remarkable developments ivhich the last few years have seen in the handling and application of this medium.
Mr. Oliver P. Bernard contributes a provocatively stimulating article upon the question of ILLUMINATION, illustrated from examples, both architectural and portable, of contemporary designs in Great Britain and the Continent.
SPANISH OLD MASTERS are represented by eight large reproductions, including an especially fine early Velazquez in colour, from the recent exhibition at the Tomas Harris Gallery.
Mr. Cecil Aldin, writing upon the ideal properties of Majorca as an artist s happy-hunting-ground,
initiates the first of a series of ARTIST’S TOURS to sketching grounds of their choice.
In addition, there is an extensive article by Mr. Malcolm Salaman on CURRENT FINE PRINTS and another by M. Robert Block, the well-known Parisian designer of furniture and in
terior, besides an extended series of Notes on events of Art Importance and Reviews of Books.
INFORMATION
Valuable originals are usually insured while in custody of The Studio, but it must be understood that all material is sent,
and received, at owner s risk. Contributors should submit photographs, for first consideration, rather than originals.
All material should bear full name and address, and be accompanied by return postage. Personal Enquiries should be accompanied by a stamped and addressed envelope. The Editor can only be seen by appointment.
AGENTS AND SUBSCRIPTIONS
Home, 2s. per copy ; 28s. per annum, post free. Bound Volume 15s. Overseas. British Dominions, India, Countries in Postal Union, 30s. post free.
Canada (TheMusson Book Co., 225 Jarvis St., Toronto), 26s. France (Librairie D Art Louis Reynaud, 18 Rue de la Bucherie, Paris 5), frs. 170 post free.
Italy (Galleria Pesaro. Via Manzoni 12a, Milan), L. 168. U.S.A. (Published under the title “ Atelier,” $7.50 post free, by William Edwin Rudge, Publisher, 475 Fifth Ave., New York, the sole associate Publisher in the U.S., to wham orders from U.S. readers should be sent for all Studio Publications.)
ADVERTISEMENTS
Rates for undisplayed advertisements—7s. bd. for 32 words. Is. for each eight or less beyond. Replies to Box Numbers Is. extra. For displayed advertisement rates apply to the Advertisement Dept., 44 Leicester Square.
Copy by 1st of month prior to publication. No responsibility accepted for loss or damage of material sent in response to advertisements.