CLASSIFIED INDEX TO VOLUME LII, No. 298, JANUARY TO No. 303, JUNE, 1928
EXPLANATORY NOTE. — Cross references are given under the following headings: Architecture — Artists and Craftsmen — Authors — Carving and Sculpture — Ceramics, Enamels and Glass — Eastern Art — Furniture — Metalwork — Ownership
(of objects referred to, owned (1) Individually, by Private Owners and Dealers, (2) Collectively, by Nations, Public Corporations and Private Associations) — Textiles — Titles, Complete List of (interspersed in alphabetical order with the titles of the following sections, Letters, Literature of Art, Shorter Notices [= S-N] — Woodwork. The definite and indefinite article in all languages is printed throughout, but ignored in the alphabetical series.
ARCHITECTURE —
Iguácel and more Romanesque Art of Aragón, 115; Pl. 111,
114, 117, 120, 123, 126.
ARTISTS AND CRAFTSMEN —
Bol (Ferdinand). Portrait of a Young Nobleman
(Mauritshuis, The Hague) Pl. 11. Borman (Jan), Studio of. Retable of St. Nicolas.
Sculptured part (St. Nicolas’s Church, Orsoy) Pl. 139. Brabant School. The Last Judgment (Musée Royal,
Brussels) Pl. 226.
Caroto. Elisabetta Gonzaga (Uffizi, Florence) Pl. 145.
Catena, attributed to. Holy Family and St. Anne
(Dresden Gallery) Pl. 92. —, probably by. Holy Family and St. Elizabeth
(Capt. Stopford Sackville) Pl. 92. Colijn de Coter. Retable Shutters (St. Nicolas’s
Church, Orsoy) Pl. 142. —, Studio of. Retable of St. Nicolas. Painted
shutters (St. Nicolas’s Church, Orsoy) Pl. 133, 136. Correggio. Self-Portrait (Lord Lee of Fareham) Pl. 2, 5;
Pietà (Lord Lee of Fareham) Pl. 108. Cruikshank (Isaac). The Dame School. (Victoria and Albert Museum); The Effects of Adversity; Moses in the Bull-Rushes (Mr. Ralph Edwards); St. Stephens in an Uproar; Pl. 185.
Dobson (William). Henry Mordaunt, Second Earl of
Peterborough (Capt. Stopford Sackville) Pl. 95. Dürer (Albrecht). Adam and Eve. Engraving, Pl. 196; Maria mit den vielen Tieren. Drawing (Louvre)
Pl. 196; Portrait of a Young Man (Hampton Court Palace) Pl. 145.
—, after. Miniature after Hampton Court Portrait
(Weimar Museum) Pl. 145. East Anglian School. St. Michael killing the Dragon.
Illuminated miniature (Print Room, Berlin) Pl. 158. Flemish School. Pietà with a Benedictine Donor (M. E. Renders, Bruges) Pl. 58; John Earl of Peterborough (Capt. Stopford Sackville) Pl. 95.
Gaddi (Taddeo). The Coronation of the Virgin (Sta. Croce, Florence) Pl. 291; St. Stephen (Horne Foundation, Florence) Pl. 288; The Virgin and Child with four Saints (Pinacoteca, Bologna) Pl. 288.
Gainsborough (Thomas). Portrait of a Gentleman. Drawing (Ipswich Corporation) Pl. 46; Lady Rodney (Philadelphia Museum of Art) Pl. 246.
Giorgione. Fragment of The Birth of Paris (Budapest Museum) Pl. 129; The Infant Paris exposed by Priam’s Orders (Mr. F. J. Mather, Princeton University) Pl. 258; Unknown Subject (The Earl of Northampton) Pl. 261.
Giovanni di Agostino. Virgin and Child with Saints. Marble relief (British Antique Dealers’ Exhibition Pl. 173.
Girtin (Thomas). Landscape (Mr. Leonard Duke) Pl. 218; Landscape (Mr. F. L. Fison) Pl. 223; Landscape with Hermit (Victoria and Albert Museum) Pl. 219.
Goya. Celestina ý su Hija (D. Manuel Mac-Crohon); D. Leandro Fernandez de Moratin (Marqués de Silvela, Madrid) Pl. 306.
El Greco. Mater Dolorosa (Fleischmann Gallery,
Munich) Pl. 182. Holbein. Sir Philip Hoby. Drawing (Windsor Castle)
Pl. 282. —, School of. Sir Philip Hoby (Uffizi, Florence) Pl. 279; Sir Thomas Hoby (? ) Drawing (Windsor Castle) Pl. 282.
Italian School. Christ in the Garden of Gethsemane.
Woodcut (Christ Church, Oxford) Pl. 243. Lotto (Lorenzo). Sacred and Profane Love (Sir Martin Conway) Pl. 261; Virgin and Child and two Donors (formerly Benson Collection) Pl. 92.
Memlinc (Hans). Adoration of the Magi (Prado, Madrid) Pl. 161; Annunciation (Prince Radziwill, Berlin) Pl. 164; Epiphany Triptych (Prado, Madrid) Pl. 161, 167; The Magdalen (M. E. Renders, Bruges) Pl 58; Purification (Count Czernin, Vienna) Pl. 167; A Sybil; St. Veronica (Hôpital St. Jean, Bruges) Pl. 58;
Virgin of the Annunciation (Messrs. P. and D. Colnaghi) Pl. 164.
van Ostade (Isaac). Halt outside an Inn (Mauritshuis,
The Hague) Pl. 8. Palma Giovane. Mater Dolorosa (Dr. Benedict and Co., Berlin) Pl. 182.
Pellipario (Nicola). Maiolica plates (Royal Scottish Museum, Edinburgh) Pl. 231, 234; (British Museum; Cluny Museum; Metropolitan Museum, New York) Pl. 237; (Kunstindustrimuseum, Copenhagen; Victoria and Albert Museum) Pl. 240.
Puga (Antonio). A Cripple with a begging bowl, Pl. 77; The Nutcracker, Pl. 76; The Dagger Sharpener (Hermitage, Leningrad) Pl. 80; Tavern Scene, Pl. 80; St. Jerome (Bowes Museum, Barnard Castle) Pl. 193.
Raphael. Portrait (Mr. Jacob Epstein, Baltimore) Pl. 145. Romano (Giulio), attributed to. Holy Family and St.
Anne. Drawing, Pl. 92.
Rubens. Portrait of Olivares (Haberstock Gallery,
Berlin) Pl. 246. Rustici (Gianfrancesco). Mercury. Bronze (Mr. Henry Harris) Pl. 264; Moses. Terra-cotta (Sr. Pazzagli, Florence) Pl. 267; Sheet of studies. Drawing (Mrs. Charles Loeser) Pl. 273; The Victor and his Foe. Terra-cotta (Herbert Horne Collection, Florence) Pl. 267; A Warrior. Chalk (Mr. Julius Böhler, Lucerne) Pl. 267; Warriors (4). Terra-cotta (Bargello Museum, Florence; Louvre, Paris; Mrs. Charles Loeser, Florence) Pl. 270.
Seghers (Hercules). Landscape (National Gallery) Pl. 208; Landscape (Bredius Collection, the Hague); Land
scape. Detail (Uffizi, Florence) Pl. 214; Mountainous River Valley (Private Collection, Amsterdam); Rocky River Landscape. Etching, Pl. 211.
Le Sueur (Hubert). The Earl of Pembroke (Bodleian Library, Oxford) Pl. 14; Lady Cottington; Sir Thomas Richardson (Westminster. Abbey) Pl. 17; Lord Treasurer Weston (Winchester Cathedral) Pl. 17; Queen Henrietta Maria (St. John’s College, Oxford) Pl. 14; Charles I (Bodleian Library, Oxford); Charles I (Sir Henry Hoare, Stourhead, Wilts) Pl. 83; Charles I (St. John’s College, Oxford); Charles I
(Winchester Cathedral) Pl. 86; Weepers (Duke of Buckingham’s Tomb, Westminster Abbey) Pl. 86.
—, probably by. James I (Banquetting Hall, Whitehall) Pl. 89.
Swanvelt (Hermann). Landscapes. Etchings, Pl. 218, 223; Repose in Egypt. Etching, Pl. 219.
Tintoretto. Samson and Delilah (Mr. John Ringling,
Sarasota, Florida) Pl. 20. — and assistants. Samson and Delilah (The Duke
of Devonshire) Pl. 20. Vermeer (Jan), of Delft. The Guitar Player (The Iveagh Bequest) Pl. 43.
— after. The Guitar Player (The John G. Johnson Collection, Philadelphia) Pl. 43.
Veronese (Paolo). Portrait of a Lady (Herr Julius Böhler, Munich) Pl. 193.
van der Weyden (Rogier). St. Columba Altar-piece (Alte Pinakothek, Munich) Pl. 161, 164, 167; Portrait of a Lady (Mr. Andrew Mellon, Washington); Portrait of a Lady (National Gallery) Pl. 167; Portraits of two young Girls. Detail from Purification by Memlinc (Count Czernin, Vienna) Pl. 164, 167.
AUTHORS —
Bernath (M. H. ) An East Anglian Primitive in Germany, 159; Pl. 158.
Byron (Robert). Byzantine Metalwork before and after
the Fall of Constantinople, 189; Pl. 188.
Casson (Stanley). A Byzantine Steatite Relief, 88; Pl. 89. Collins Baker (C. H. ) Notes on Pictures at Drayton
House, 93; Pl. 92, 95.
Constable (W. G.) The Goya Exhibition at Madrid [S-N] 307; Pl. 306.
Conway (Sir Martin). A Giorgione Discovery, 127; Pl. 129; Giorgione Again, 259; Pl. 258, 261.
Davies (Randall). Thomas Girtin in Paris, 221; Pl 218
219, 223.
EXPLANATORY NOTE. — Cross references are given under the following headings: Architecture — Artists and Craftsmen — Authors — Carving and Sculpture — Ceramics, Enamels and Glass — Eastern Art — Furniture — Metalwork — Ownership
(of objects referred to, owned (1) Individually, by Private Owners and Dealers, (2) Collectively, by Nations, Public Corporations and Private Associations) — Textiles — Titles, Complete List of (interspersed in alphabetical order with the titles of the following sections, Letters, Literature of Art, Shorter Notices [= S-N] — Woodwork. The definite and indefinite article in all languages is printed throughout, but ignored in the alphabetical series.
ARCHITECTURE —
Iguácel and more Romanesque Art of Aragón, 115; Pl. 111,
114, 117, 120, 123, 126.
ARTISTS AND CRAFTSMEN —
Bol (Ferdinand). Portrait of a Young Nobleman
(Mauritshuis, The Hague) Pl. 11. Borman (Jan), Studio of. Retable of St. Nicolas.
Sculptured part (St. Nicolas’s Church, Orsoy) Pl. 139. Brabant School. The Last Judgment (Musée Royal,
Brussels) Pl. 226.
Caroto. Elisabetta Gonzaga (Uffizi, Florence) Pl. 145.
Catena, attributed to. Holy Family and St. Anne
(Dresden Gallery) Pl. 92. —, probably by. Holy Family and St. Elizabeth
(Capt. Stopford Sackville) Pl. 92. Colijn de Coter. Retable Shutters (St. Nicolas’s
Church, Orsoy) Pl. 142. —, Studio of. Retable of St. Nicolas. Painted
shutters (St. Nicolas’s Church, Orsoy) Pl. 133, 136. Correggio. Self-Portrait (Lord Lee of Fareham) Pl. 2, 5;
Pietà (Lord Lee of Fareham) Pl. 108. Cruikshank (Isaac). The Dame School. (Victoria and Albert Museum); The Effects of Adversity; Moses in the Bull-Rushes (Mr. Ralph Edwards); St. Stephens in an Uproar; Pl. 185.
Dobson (William). Henry Mordaunt, Second Earl of
Peterborough (Capt. Stopford Sackville) Pl. 95. Dürer (Albrecht). Adam and Eve. Engraving, Pl. 196; Maria mit den vielen Tieren. Drawing (Louvre)
Pl. 196; Portrait of a Young Man (Hampton Court Palace) Pl. 145.
—, after. Miniature after Hampton Court Portrait
(Weimar Museum) Pl. 145. East Anglian School. St. Michael killing the Dragon.
Illuminated miniature (Print Room, Berlin) Pl. 158. Flemish School. Pietà with a Benedictine Donor (M. E. Renders, Bruges) Pl. 58; John Earl of Peterborough (Capt. Stopford Sackville) Pl. 95.
Gaddi (Taddeo). The Coronation of the Virgin (Sta. Croce, Florence) Pl. 291; St. Stephen (Horne Foundation, Florence) Pl. 288; The Virgin and Child with four Saints (Pinacoteca, Bologna) Pl. 288.
Gainsborough (Thomas). Portrait of a Gentleman. Drawing (Ipswich Corporation) Pl. 46; Lady Rodney (Philadelphia Museum of Art) Pl. 246.
Giorgione. Fragment of The Birth of Paris (Budapest Museum) Pl. 129; The Infant Paris exposed by Priam’s Orders (Mr. F. J. Mather, Princeton University) Pl. 258; Unknown Subject (The Earl of Northampton) Pl. 261.
Giovanni di Agostino. Virgin and Child with Saints. Marble relief (British Antique Dealers’ Exhibition Pl. 173.
Girtin (Thomas). Landscape (Mr. Leonard Duke) Pl. 218; Landscape (Mr. F. L. Fison) Pl. 223; Landscape with Hermit (Victoria and Albert Museum) Pl. 219.
Goya. Celestina ý su Hija (D. Manuel Mac-Crohon); D. Leandro Fernandez de Moratin (Marqués de Silvela, Madrid) Pl. 306.
El Greco. Mater Dolorosa (Fleischmann Gallery,
Munich) Pl. 182. Holbein. Sir Philip Hoby. Drawing (Windsor Castle)
Pl. 282. —, School of. Sir Philip Hoby (Uffizi, Florence) Pl. 279; Sir Thomas Hoby (? ) Drawing (Windsor Castle) Pl. 282.
Italian School. Christ in the Garden of Gethsemane.
Woodcut (Christ Church, Oxford) Pl. 243. Lotto (Lorenzo). Sacred and Profane Love (Sir Martin Conway) Pl. 261; Virgin and Child and two Donors (formerly Benson Collection) Pl. 92.
Memlinc (Hans). Adoration of the Magi (Prado, Madrid) Pl. 161; Annunciation (Prince Radziwill, Berlin) Pl. 164; Epiphany Triptych (Prado, Madrid) Pl. 161, 167; The Magdalen (M. E. Renders, Bruges) Pl 58; Purification (Count Czernin, Vienna) Pl. 167; A Sybil; St. Veronica (Hôpital St. Jean, Bruges) Pl. 58;
Virgin of the Annunciation (Messrs. P. and D. Colnaghi) Pl. 164.
van Ostade (Isaac). Halt outside an Inn (Mauritshuis,
The Hague) Pl. 8. Palma Giovane. Mater Dolorosa (Dr. Benedict and Co., Berlin) Pl. 182.
Pellipario (Nicola). Maiolica plates (Royal Scottish Museum, Edinburgh) Pl. 231, 234; (British Museum; Cluny Museum; Metropolitan Museum, New York) Pl. 237; (Kunstindustrimuseum, Copenhagen; Victoria and Albert Museum) Pl. 240.
Puga (Antonio). A Cripple with a begging bowl, Pl. 77; The Nutcracker, Pl. 76; The Dagger Sharpener (Hermitage, Leningrad) Pl. 80; Tavern Scene, Pl. 80; St. Jerome (Bowes Museum, Barnard Castle) Pl. 193.
Raphael. Portrait (Mr. Jacob Epstein, Baltimore) Pl. 145. Romano (Giulio), attributed to. Holy Family and St.
Anne. Drawing, Pl. 92.
Rubens. Portrait of Olivares (Haberstock Gallery,
Berlin) Pl. 246. Rustici (Gianfrancesco). Mercury. Bronze (Mr. Henry Harris) Pl. 264; Moses. Terra-cotta (Sr. Pazzagli, Florence) Pl. 267; Sheet of studies. Drawing (Mrs. Charles Loeser) Pl. 273; The Victor and his Foe. Terra-cotta (Herbert Horne Collection, Florence) Pl. 267; A Warrior. Chalk (Mr. Julius Böhler, Lucerne) Pl. 267; Warriors (4). Terra-cotta (Bargello Museum, Florence; Louvre, Paris; Mrs. Charles Loeser, Florence) Pl. 270.
Seghers (Hercules). Landscape (National Gallery) Pl. 208; Landscape (Bredius Collection, the Hague); Land
scape. Detail (Uffizi, Florence) Pl. 214; Mountainous River Valley (Private Collection, Amsterdam); Rocky River Landscape. Etching, Pl. 211.
Le Sueur (Hubert). The Earl of Pembroke (Bodleian Library, Oxford) Pl. 14; Lady Cottington; Sir Thomas Richardson (Westminster. Abbey) Pl. 17; Lord Treasurer Weston (Winchester Cathedral) Pl. 17; Queen Henrietta Maria (St. John’s College, Oxford) Pl. 14; Charles I (Bodleian Library, Oxford); Charles I (Sir Henry Hoare, Stourhead, Wilts) Pl. 83; Charles I (St. John’s College, Oxford); Charles I
(Winchester Cathedral) Pl. 86; Weepers (Duke of Buckingham’s Tomb, Westminster Abbey) Pl. 86.
—, probably by. James I (Banquetting Hall, Whitehall) Pl. 89.
Swanvelt (Hermann). Landscapes. Etchings, Pl. 218, 223; Repose in Egypt. Etching, Pl. 219.
Tintoretto. Samson and Delilah (Mr. John Ringling,
Sarasota, Florida) Pl. 20. — and assistants. Samson and Delilah (The Duke
of Devonshire) Pl. 20. Vermeer (Jan), of Delft. The Guitar Player (The Iveagh Bequest) Pl. 43.
— after. The Guitar Player (The John G. Johnson Collection, Philadelphia) Pl. 43.
Veronese (Paolo). Portrait of a Lady (Herr Julius Böhler, Munich) Pl. 193.
van der Weyden (Rogier). St. Columba Altar-piece (Alte Pinakothek, Munich) Pl. 161, 164, 167; Portrait of a Lady (Mr. Andrew Mellon, Washington); Portrait of a Lady (National Gallery) Pl. 167; Portraits of two young Girls. Detail from Purification by Memlinc (Count Czernin, Vienna) Pl. 164, 167.
AUTHORS —
Bernath (M. H. ) An East Anglian Primitive in Germany, 159; Pl. 158.
Byron (Robert). Byzantine Metalwork before and after
the Fall of Constantinople, 189; Pl. 188.
Casson (Stanley). A Byzantine Steatite Relief, 88; Pl. 89. Collins Baker (C. H. ) Notes on Pictures at Drayton
House, 93; Pl. 92, 95.
Constable (W. G.) The Goya Exhibition at Madrid [S-N] 307; Pl. 306.
Conway (Sir Martin). A Giorgione Discovery, 127; Pl. 129; Giorgione Again, 259; Pl. 258, 261.
Davies (Randall). Thomas Girtin in Paris, 221; Pl 218
219, 223.