THE
BURLINGTON MAGAZINE
Volume lxxxviii
May 1946
No. 518
CONTENTS
Editorial: The Berlin Pictures in Washington......................................................................... 107 A Crucifixion by Duccio with Wings by Simon Martini. By G. H. Edgell............................ 107 Bonington and Quentin Durward. By Douglas Cooper.......................................................... 112 Ceramic Art in Poland. By Frank Savery................................................................................ 117 Shorter Notices: A Sheet of Drawings by Jerome Bosch at Oxford (Bernard
Denvir); A Note on the Destruction of the Church of the Eremitani, Padua (John Guthrie); The Re-opening of the Tate Gallery (Denys Sutton); The Hickman Bacon Collection of Watercolours (Paul Oppé);
The Lyrical Trend in English Painting........................................................................... 121 The Literature of Art................................................................................................................. 128 Forthcoming Sales.................................................................................................................... 130
LIST OF PLATES A CRUCIFIXION BY DUCCIO WITH WINGS
BY SIMONE MARTINI.
I. Triptych, representing The Crucifixion between St. Nicholas and St. Gregory. The
Central Panel here attributed to Duccio, the Wings to Simone Martini. (Museum
of Fine Arts, Boston)...................................... 106 II. The Crucifixion. Detail of Frontispiece.
Here attributed to Duccio................................ 109 III. [a] St. Gregory. Detail of Frontispiece.
Here attributed to Simone Martini.
[b] St. Gregory. By Simone Martini.
(Museum, Pisa)........................................
[d] Potiche. Factory of Wolff-Barnardi, Warsaw .....
[e] Tea-pot from Baranóvka, and Cup
from Korzec........................................... 119 SHORTER NOTICE: A SHEET OF
DRAWINGS BY JEROME BOSCH AT OXFORD.
[a] Sheet of Drawings. Attributed to Jerome Bosch. (Ashmolean Museum,
Oxford) .....
[b] Reverse of the same sheet...................... 120 A NOTE ON THE DESTRUCTION OF THE
CHURCH OF THE EREMITANI, PADUA
[a] The Façade.....
[b] East End, Temporary Brick Wall and Scaffolding against North Wall of
the Dotto Chapel....
[c] Interior, showing the remaining Wall
of the Dotto Chapel................................ 125 THE LYRICAL TREND IN ENGLISH
PAINTING
[a] Winter. By William Blake. Wash Drawing. (Mrs. Vaughan Johnson)
[b] Symphony in Red. By Whistler. (Messrs.
Roland, Browse & Delbanco).................. 126 THE RE-OPENING OF THE TATE GALLERY
[c] Patience. By Georges Braque. (Pro
perty of the Artist)
[d] Apples and a Bottle. By Paul Cézanne.
Watercolour. (Private Collection)............ 126
BURLINGTON MAGAZINE
Volume lxxxviii
May 1946
No. 518
CONTENTS
Editorial: The Berlin Pictures in Washington......................................................................... 107 A Crucifixion by Duccio with Wings by Simon Martini. By G. H. Edgell............................ 107 Bonington and Quentin Durward. By Douglas Cooper.......................................................... 112 Ceramic Art in Poland. By Frank Savery................................................................................ 117 Shorter Notices: A Sheet of Drawings by Jerome Bosch at Oxford (Bernard
Denvir); A Note on the Destruction of the Church of the Eremitani, Padua (John Guthrie); The Re-opening of the Tate Gallery (Denys Sutton); The Hickman Bacon Collection of Watercolours (Paul Oppé);
The Lyrical Trend in English Painting........................................................................... 121 The Literature of Art................................................................................................................. 128 Forthcoming Sales.................................................................................................................... 130
LIST OF PLATES A CRUCIFIXION BY DUCCIO WITH WINGS
BY SIMONE MARTINI.
I. Triptych, representing The Crucifixion between St. Nicholas and St. Gregory. The
Central Panel here attributed to Duccio, the Wings to Simone Martini. (Museum
of Fine Arts, Boston)...................................... 106 II. The Crucifixion. Detail of Frontispiece.
Here attributed to Duccio................................ 109 III. [a] St. Gregory. Detail of Frontispiece.
Here attributed to Simone Martini.
[b] St. Gregory. By Simone Martini.
(Museum, Pisa)........................................
[d] Potiche. Factory of Wolff-Barnardi, Warsaw .....
[e] Tea-pot from Baranóvka, and Cup
from Korzec........................................... 119 SHORTER NOTICE: A SHEET OF
DRAWINGS BY JEROME BOSCH AT OXFORD.
[a] Sheet of Drawings. Attributed to Jerome Bosch. (Ashmolean Museum,
Oxford) .....
[b] Reverse of the same sheet...................... 120 A NOTE ON THE DESTRUCTION OF THE
CHURCH OF THE EREMITANI, PADUA
[a] The Façade.....
[b] East End, Temporary Brick Wall and Scaffolding against North Wall of
the Dotto Chapel....
[c] Interior, showing the remaining Wall
of the Dotto Chapel................................ 125 THE LYRICAL TREND IN ENGLISH
PAINTING
[a] Winter. By William Blake. Wash Drawing. (Mrs. Vaughan Johnson)
[b] Symphony in Red. By Whistler. (Messrs.
Roland, Browse & Delbanco).................. 126 THE RE-OPENING OF THE TATE GALLERY
[c] Patience. By Georges Braque. (Pro
perty of the Artist)
[d] Apples and a Bottle. By Paul Cézanne.
Watercolour. (Private Collection)............ 126